Who Is the Worst at Social Media? The Media.

10 Sep

We frequently read about who or what brands are efficiently using social media to engage with customers. 

But we rarely see a blog or a conference track looking at who is really bad at social media.  Until now. Let’s begin!

Let’s first look at an industry: The Media. To say the traditional media – television, radio, newspaper, and magazine producers – have been slow to adapt to social media is like saying you were resistant to working with the street punks who mugged you. The brightest of media leaders knew that this new means of communication would eat their lunch. And even they were not smart enough to work with social media instead of against it.

Great image from themetapicture.com!

 

Traditional news outlets remind me of record companies 10 to 15 years ago. At first they mocked the coming of the internet. Then when they saw that it could cut into their business, they fought it. When that didn’t work, they pretended to welcome the internet. Finally they positioned themselves as pioneers.

And the bigger they are, the worse they are at engaging in the digital space. The New York Times “discovered” Twitter sometime around 2010. By 2011, they were pretending to lead the field.

Some print news outlets have become more valuable to consumers in providing sharable content (i.e. pictures, stories and credibility that we can’t conjure up on our own).  In fact, consumers who share news socially tend to flock to traditional sources as shown in this BurrellesLuce infographic. But, newspapers rarely do anything else to engage with those readers other than provide a nice space on their blog site for comments.

Many broadcasters use social but not to engage with viewers or do anything remotely interesting that would compel us to use their product/brand/service more. Some broadcasters – especially CNN – pretend that they’re social by airing Tweets during the news broadcast. This is poor, lazy journalism. Sure, why send a reporter out to actually, you know, report. Let’s just click one button and show viewers what Ashton Kutcher or a Kardashian has to say about the subject. It’s irrelevant but easy.

And I don’t want to hear the lame excuse that newsrooms are understaffed and budgets have been slashed. Welcome to every company in America in 2012, news guys! Where have you been? Every company and every worker in the US is doing more with less. Our economy is in shambles, not that the media has noticed. In adverse times, winners suck it up, wear many hats, and look to new innovations. But that would require thought and creativity, things that left mainstream media studios long ago.

I pick on CNN because they really are the worst of the worst. Their idea of Social Media is to broadcast – on TV – what others are Tweeting. Thanks CNN, but I will skip your show and just read it myself on my computer or phone. Good thing you’re paying big money to @andersoncooper to read Twitter from those nice studios in Atlanta. No wonder your ratings are at an all-time low and you’re getting creamed by everyone from Fox News to Nick at Nite.

NBC is another clueless social media wonder. I only know this from catching their social media “engagement” during the Olympics. It featured Tamron Hall, who host Mary Carillo introduced regularly as “our social media guru”. Uggggg. And, you guessed it, their idea of a guru is someone who reports on what others are Tweeting. Really? You sent a reporter and a crew to London to do that? Where are the actually conversations with viewers on social channels? Where are the stories, videos, contests, and other things that NBC could have shared?      

I see glimpses of hope at the local level. Several local affiliates promote Facebook or Twitter as simply another way for their viewers to get the news. This is still broadcasting, but at least they see social channels not as some new magic like the clueless NBC network people, but as another venue for communications – “Catch us on Channel X, Digital channel X.1, channel1x.com, or @channelXnews on Twitter”… It’s a start, and it’s better than the networks are doing.

PRSA Chicago PR Agency Leaders

5 Sep

   

I’m looking forward to moderating a panel of the Public Relations industry’s top agency leaders. These top industry executives will address current PR challenges and opportunities in a wide-ranging roundtable discussion. Our leadership forum is one of the most popular PRSA Chicago Chapter events held each year and is back by popular demand!

Issues to be discussed and debated include social, political, economic, and cultural trends affecting the practice of PR in agencies and companies including: 

• The Communications role within the marketplace and current economy
• Issues that are critical to all in the C-suite, especially in driving economic growth
• New insights and innovations that agencies should provide clients
• How do forward-thinking agency leaders stay in front of clients’ needs?
• Predictions for the rest of 2012 and 2013!


Our panelists for the program are: 



Rick Murray, President, Edelman


Patti Temple Rocks, Managing Director, GolinHarris

Bill Zucker, Midwest Director, Ketchum

Susan Howe, President, Weber Shandwick

Maxine Winer, Senior Partner and General Manager, Fleishman-Hillard

Erica Swerdlow, Midwest Market Leader / Managing Director at Burson Marsteller

Claire Koeneman, Executive Vice President, Hill+Knowlton Strategies


Moderated by Jack Monson, Vice President, Engage121

 

Register now for this September 18 PRSA event in Chicago!

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Squeeze – Live at the Fillmore

4 Sep

 Squeeze Live At the Fillmore Jack Monson


My favorite not-exactly-new record of the year so far is Squeeze: Live at The Fillmore. The band recorded this show earlier this year and it is much cooler than the typical great hits live record that so many bands put out. Some of Squeeze’s biggest songs go into extended jams and solos. Maybe it was the spirit of The Fillmore causing that.

Glenn Tilbrook’s voice is still so strong that it’s hard to believe it’s been 35 years since some of these tunes were first recorded. He and the whole band sound so good that it’s a shame they weren’t included in the Opening Ceremony at the Olympics this summer.

There’s not a lot of info out there about this record, other than the lineup listed on the band’s website and the venue made obvious by the title. You see, there’s no CD or liner notes to this record; it’s available only as an iTunes download ($10) or as a limited-edition vinyl LP via mail order ($25).

What a cool concept: one to the 80’s biggest international bands recorded at a 60’s iconic venue and distributed in a 2012 digital way or by mail in the favorite format of the 70s.

I was disappointed to not hear Gilson Lavis on drums. Apparently Gilson is currently playing with former Squeeze member turned big-time UK TV host Jools Holland and not a part of the current lineup. Gilson and his jazzy riffs are missed here!

 

Check out what former Squeeze drummer Gilson Lavis is up to and see his cool artwork here!

 

 

The Tasti D-Lite Way

27 Aug

I am really enjoying this great new book by James Amos and BJ Emerson about Social Media Marketing. The Tasti D-Lite Way is hot off the press and definitely worth a look by all marketers.

Tasti D-Lite
To say it’s a book about social media in the franchise industry only tells part of the story!

This book isn’t just a Franchise system. It’s a true American business success story about how to build a brand.

It’s not just about Social Media. It’s about creating a culture, a product, a team, and stories your customers want to share. As we often have discussed, social media is just the channel where those stories are shared. Do yourself a favor and steal as many ideas from Jim and BJ as you can!

  

The 3 Stooges and Little Rascals on WFLD Chicago, circa 1977

27 Aug

A fun resource for finding old media clips is The Museum of Classic Chicago Television. They recently found and uploaded this awesome clip from WFLD-TV Channel. It’s the station-created opening to The Stooges Rascals Hour which ran on the station of many years starting in 1977.  

 

Old images + the perfect music = a nice piece of art that you just would not see on a local broadcast anymore.

 

 

 

 

REO Speedwagon: The World’s Biggest What?!?

21 Aug

If you were to make a list the biggest rock bands of the 1980s, REO Speedwagon would probably not land on your top 5 guesses. Or top ten. Or top forty.

But, if you could take a trip back to 1981 and watch MTV for an hour, you would assume they were the Beatles of the era. We now forget how huge Champaign Illinois’ favorite sons were.

"REO Speedwagon" MTV "Live Aid"


And huge they were! 18 Million albums sold between 1980 and 1984 alone; a dozen top 40 singles in that same period; thousands of live concerts across the globe.

 MTV promoted the REO like crazy. REO was a natural fit with MTV’s initial AOR-type programming format. Also important for the new music channel: the band made video clips! In fact, in the first 24 hours of MTV, REO videos (mostly live concert clips) were played 16 times, which ties them with Rod Stewart as the most played artists on the first day. Much of the first week of broadcasts included promotion of MTV’s first Saturday night concert starring, yep – REO Speedwagon.

So even with all of this exposure REO had, we now barely remember them. Why?

Part of the problem is that they don’t really fit in with the stereotype of what we think bands of the 80s sounded like, and even more so, looked like. These guys had a pretty typical arena-rock / classic rock sound. They had big guitars, but not too crunchy like metal bands. They had keyboards, but basic pianos and organs without the synthesizers of other pop bands or new wavers. And most of all, they didn’t look like 80s pop stars at all. They wore jeans, sport coats, and sneakers – they looked more like stand up comics than rock stars.

"REO Speedwagon"

Rock Stars or Stand-Up Comics? REO, looking like they’re about to do some airline food jokes.


I have a theory that as time goes on, the masses will forget about mega rock stars who had bigger songs but a pedestrian look. Middle of the road rockers like Genesis, Phil Collins, Bruce Hornsby, Don Henley, and Huey Lewis sold tens of millions of records each, but when someone says “80s Music” most people think of outrageous-looking minor artists like A Flock of Seagulls.

 

FranCamp 2012: Mapping Your Customer’s Route to Your Store

19 Aug

As we’re winding down the summer and gearing up for a big retail season, I thought I would share my presentation from Franchise Social Media Camp (FranCamp) from back in May. The topic was leveraging social platforms for Franchise systems.

One slide (#6) that lead to some good discussions with attendees is the view of social platforms compared to your franchisees’ stores.  Think of it as a map. What platforms are you using as roads to get to other platforms? And, more importantly, what’s the route to get foot traffic in the stores? Are you sharing links on Twitter to draw consumers to an app on Facebook for coupons that drive store traffic? Are you using Google+ or Facebook start a discussion and then sharing video that lives on YouTube that has a great call to action? There are many more combinations than there are platforms! Remember, some channels may be a better or faster route for your customers than other routes.

<div style=”margin-bottom:5px”> <strong> <a href=”http://www.slideshare.net/JackMonson/francamp-2012&#8243; title=”FranCamp 2012″ target=”_blank”>FranCamp 2012</a> </strong> from <strong><a href=”http://www.slideshare.net/JackMonson&#8221; target=”_blank”>JackMonson</a></s

The Greatest Year in Music: 1982

15 Aug

  

MTV Rollings Stones I Want My MTV

My Grandmother once told me the best year for music is, or was, whatever year you turned fourteen years old. She was not an expert on modern popular music or entertainment media or targeted market research. But she did know a lot about people (especially kids!).

I thought about this theory often while I was working in music promotion and radio programming. It seemed to be true across generations and decades for all demographics. 

Recently I shared this notion with my colleague Dave Whalen, who is on my short list of smart dudes. Dave concurred with Grandma’s “Age 14” theory, so I’m pretty much now calling it law: The greatest year for music was whatever year you turned fourteen.

So, for me, the greatest year for music was 1982.

That’s right, 1982: The Crossroads between classic rock, pop, new wave, punk, and heavy metal.  But remember, that’s just for me…your experience will vary…

Madness "jack monson"

82 Was Madness!


    

Not About Michael Jackson

A quick note here – 1982 brought us the best-selling album of all time, Thriller. However, I am not, nor was I ever, a fan. The only part of it in which I find any value is the Eddie Van Halen guitar solo in Beat It (oh, and the Vincent Price voice-over bit in Thriller). But if you really want to catch some great Eddie work from ’82, see the Diver Down album on the list below.

    

MTV

The video music channel launched in August 1 1981, but it was 1982 where the number of homes in the US (including mine) with access to MTV exploded. And then, everything changed!

MTV Bumper Sticker "jack monson"      

The List

The best way to adequately explain how BIG 1982 was to Generation X is to list some of the albums of the year that were huge sellers, influential, or important milestones.  See if you agree with me about 1982 and/or the “Age 14” rule…  

Peter Gabriel – Security

The Clash – Combat Rock

XTC – English Settlement

The Jam – The Gift

Talking Heads – The Name of the Band Is…

Asia – Asia

Genesis – Three Sides Live

Men At Work – Business As Usual

Frank Zappa – Ship Arriving Too Late To Save the Drowning Witch

Sonic Youth – Sonic Youth

Split Enz – Time and Tide

Squeeze – Sweets From a Stranger

Madness – Complete Madness

INXS – Shabooh Soobah

The Fixx – Shuttered Room

Devo – Oh, No!

Men Without Hats – Rhythm of Youth

Thomas Dolby – Golden Age of Wireless

The Motels – All Four One

Dexys Midnight Runners – Too-Rye-Ay

Flock of Seagulls – Flock of Seagulls

Duran Duran – Rio

Go-Go’s – Vacation

Pat Benatar – Get Nervous

Adam Ant – Friend or Foe

Robert Plant – Pictures at Eleven

Pete Townsend – All The Best Cowboys

The Who – It’s Hard

The Beatles – Reel Music

Toto – IV

John Cougar – American Fool

Tom Petty – Long After Dark

Queen – Hot Space

Kansas – Vinyl Confessions

Rolling Stones – Still Life

Crosby Still & Nash – Daylight Again

Steve Miller – Abracadabra

Golden Earing – Cut

Bruce Springsteen – Nebraska

Phil Collins – Hello, I Must Be Going

Led Zeppelin – Coda

Scorpions – Blackout

Iron Maiden – Number of the Beast

Rainbow – Straight Between the Eyes

Ozzy Osbourne – Speak of the Devil

Sammy Hagar – 3 Lock Box

Van Halen – Diver Down

 Van Halen Diver Down "jack monson"

What great albums are missing on this list? Let me know via comments!

 

Post-Olympics Blues

13 Aug

  

Every two years after the Olympics, we should declare a Post-Olympics Withdrawal Stress Disorder Day. After 2 weeks of constant updates and events filling our TVs, tablets, and phones, it feels like not much is happening out there this morning. I predict speaking with a lot of grumpy people over the next couple of days.

We’ll be missing the events, pre-packaged stories of inspiration, cheesy NBC montages, musical cues, and drama that dwarfs any scripted television programming.

2012 Olympics Rings Opening Ceremony

My wife and I get pulled in to this sports-opera more than most. Since the ’92 games, we have gotten caught up in the big events as well as the stuff that you can only see during an Olympics. Trampoline, badminton, and the equestrian events were tough to catch this year.

I didn’t see nearly as much coverage on TV this year as in years past due to travel, work, and other real-life events infringing on our TV time this summer. But with the ample updates via social channels, online video, and mobile apps, it was easy to get a quick fix.

2012 Olympic iPhone App

While I’m no fan of NBC, GE, or Adobe, these guys got it together for a great Olympic iPhone app in 2012.

It also marks the last time until the next Olympics that the once-great NBC will have any content of value. Case in point: the preview clips from the new Matthew Perry show, “Go On”, looked dreadful. From the people who brought you “Joey”, indeed!

The media geek in me will soon fill the entertainment / sports / news void with the NFL season (#GoBears!) and a big political storm about to hit. We’ve got two conventions, 4 debates, and an election night on the horizon people! 

So there’s lots of good media content to look forward to this fall. And, if that’s not enough to cheer us up, note that the opening ceremony of the 2014 Winter Games in Sochi is only 543 days away.

 

 

 

The Biggest Band of 1986: The Monkees???

8 Aug

 

Who ruled the radio airwaves, record charts and most importantly, video music channel programming of 1986?  Genesis? Phil Collins? Bon Jovi? Madonna? How about The Monkees!

Somewhere between audio and video in 1986, there was a huge revival of The Monkees. The comeback was as planned, pre-packaged and targeted as the original Monkees show. And, our friends at MTV are to thank!

This wasn’t geared toward the Boomers who first made “The Pre-Fab Four” one of the top ten acts in the 1960’s. This was targeted at the Generation X’ers who grew up watching the Monkees as a syndicated show (always in the summertime here in Chicago!) in the 1970s and early 1980s. It was brilliant programming move. The kitsch of the Monkees, campy visual comedy, and most of all, pre-made music videos (typically 2 per 30 minute episode) were a perfect match for The MTV Generation.

   

It started with a series of Monkees Marathons in early 1986 on MTV. The show ran and ran and ran that spring.

I saw the commercial for Eric Lefcowitz’s Monkees Tale book so many times that I can recite the PO box number in my sleep 26 years later!

The popularity of these reruns of reruns resulted lots of records and tapes from Rhino’s catalog being sold. This lead to a new greatest hits release with a new song (“That Was Then, This Is Now”), a tour, and a Christmas video (of which is dreadfully hard to a good copy!). Those enterprises included a brief reunion with Mike Nesmith, The Monkee who didn’t really need the money.

Monkees

Late ‘86 brought a new album of all new material (“Pool It”) which lead to 2 decades of on again / off again reunions, recording and tours. These reunions and comeback seem to now be over with through 2012 and the passing of Davy Jones. Though his death itself lead to a jump in sales of a recent Greatest Hits album on iTunes and Amazon and a third generation of Monkeemania! 

        

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